Now while you may be thinking, the GoPro Hero 3+ does shoot 240fps. For this review I thought it would fit in perfectly if I could shoot 240fps. Recently I’ve been obsessed, to put it mildly, with my GoPro Hero 3+ camera. Go to their site ( and you will see that they have an ultra-high standard for the products they release, and De:Flicker lives up to the name. If you have any sense of slow motion and how it works in After Effects you undoubtedly have heard of Twixtor, the kingpin of slow-motion plug-ins (YouTube Twixtor and you will be amazed at how awesome a balloon popping at 1% speed looks).
This is exactly what the De:Flicker plug-in does. I love plug-ins that are detailed and in depth, but I also love plug-ins that know what they are supposed to do, and do it well. When talking with the guys at Re:Vision, they explained how their De:Flicker plug-in worked, but more importantly that it was easy to use.
Reduce film flicker premiere pro full version#
The full version costs $249.95, and the render-only option is $49.99.Īs I watched the Olympic commercials on broadcast TV and YouTube I was a little bummed out that they didn’t spend a little extra money to fix this, maybe it was an aesthetic choice or maybe no one realized that you could remove the strobing effect relatively easily. Keep this in mind while filming at high-frame rates for slow motion, but if you forget Re:Vision Effects has come to your rescue with its De:Flicker plug-in for After Effects CS5 and up, including Adobe After Effects CC. If you are interested, Google “Alternating Current and Incandescence” while filming.).
Without getting too deep into the physics and optic technicalities of filming, lights and cameras don’t necessarily get along when run at high-frame rates (Usually more pronounced at or above 240fps.
You may have also noticed strobing or flickering in the lights as a result of the high-speed frame rate under the lights. I mean who doesn’t love snowboarders doing 1080s at around 5% speed over a 100-foot gap in the snow at night? I know I do. The commercials that aired during the Olympics coverage showed off some of the latest and greatest camera work and visual effects I’ve seen on the small screen.
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